Some vlogging teams might find the Bi-Directional pattern ideal when they vlog side-by-side. This allows two people to share a single microphone. The “Figure 8” or Bi-Directional pattern picks up sound in front and behind the mic. Every vlogger needs at least one cardioid microphone in their studio set-up. The cardioid mic eliminates unwanted noise and results in cleaner audio.
Podcasters typically choose a Cardioid (or Uni-Directional) pattern which only picks up sound from the front of the microphone. An omnidirectional mic is ideal for travel vlogs when you want to immerse the viewer in the sounds of an environment like a city or forest. For example, with an omnidirectional pattern the microphone picks up sound all the way around the microphone. These patterns determine how the microphone records sound. One feature to look for when buying a vlogging microphone is the pattern options.
BEST MICROPHONES FOR PODCASTING 2018 PORTABLE
Portable for vloggers on the go (if necessary).The best choice for recording the human voice.When looking for a microphone for vlogging, try to find a mic that has these qualities: Lavalier microphones have portability and are tiny, making them easy to hide.Music vloggers might opt for a dynamic microphone to pick up strong vocals.A condenser mic has versatility and provides a good option for podcasting.A shotgun mic zeroes in on the sound and is often used for action shots and filmmaking.Depending on the type of vlogging you do, you may need a specialized mic like a Rode Video Shotgun mic or something more versatile, like a classic condenser mic. A great microphone for video recording integrates easily into your set-up.
BEST MICROPHONES FOR PODCASTING 2018 HOW TO
We’ll talk about how to hook-up those microphones to your computer-and investigate what’s causing our noise-in a future blog.The best vlogging microphone will eliminate unwanted noise, record at acceptable levels, and be easy to use. Hear that hissing sound? That’s not good, and it’s the main reason we’re using the condenser mic for our music theory lesson recordings. Take a listen to both of the tracks again and crank the volume. For someone with a voice like me (on the muddy side), the 57 definitely has the upper hand.īut there’s still one problem. So, which mic is better for spoken voice? It depends on the voice. You’ll hear that the 57 is clearer and crisper, but the 58 is richer and doesn’t have “breath sounds” (like when I say “three”). But hearing the tracks raw, as they are here, really highlights the differences. Usually, I’d add some effects (like EQ and compression) to any recorded tracks before using them. SM57 vs SM58: What’s the best mic for podcasting? Here’s the comparison: They’re tough, found on stages of all sizes, well-respected, and pretty cheap too (about $100 US on Ama zon). This week we continue the conversation by turning our attention to two of the most well-known microphones out there: the Shure SM57 and Shure SM58.
In recent blogs, we’ve talked about EQing voices for a podcast, whether to use a condenser or dynamic microphone, and offered a tutorial on how to EQ an audio track yourself. Thankfully, with the right equipment and technique, you can make your recorded voice sound terrific. But… it can also sound muddy, hard-to-understand, or in some cases, unlistenable. Recording your speaking voice well can bring out its best qualities, and sound really professional. Maybe we started a podcast, maybe we’re recording a voice-over for a YouTube video, or maybe we’re just recording a new voicemail message. From time-to-time, we record ourselves speaking into a microphone.
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